Showing posts with label Wong Kar-Wei. Show all posts
Showing posts with label Wong Kar-Wei. Show all posts

Wednesday, May 21, 2008

Ashes of Time (redux)

Wong Kar-Wei has put together a new (and shorter!) version of Ashes of Time - shown out of competition at Cannes.

Out later this year. Looking forward to it.

From the New York Times:

Mr. Wong has explained that he set out to make the definitive edition of “Ashes” after he discovered that there were many versions floating about, authorized and not. Culled from prints gathered from around the world, this newly re-edited and digitally tweaked iteration runs about 10 minutes shorter than the original, and rather more coherently. The fragmented story involves a melancholic desert dweller (the late Leslie Cheung), who functions as a kind of broker for various swordsmen (Tony Leung Chiu-wai included) and their clients (Brigitte Lin, among others). Drenched in shocking color — the desert shifts from egg-yolk yellow to burnt orange under a cerulean sky — the film is Mr. Wong’s most abstract endeavor, a bold excursion into the realm of pure cinema. It also now seems like one of his most important. “Ashes of Time Redux” will be released by Sony Pictures Classics in September. We’ll have more to say about it then.

Wednesday, April 09, 2008

My Blueberry Nights


When (and if) this ever makes it to Australia, I am so looking forward to My Blueberry Nights - the first Wong Kar-Wei english-language feature starring Miss Natalie Portman.

See this review by AO Scott for the NY Times. Scott gets the appeal of Wong Kar-Wei. The luxurious, beautiful visuals and the creation of a mood - both of which completely overwhelm his plots (to the extent a plot exists at all - see ChungKing Express, Fallen Angels and 2046 for a few examples). The languid pacing. The total absence of reality.